Mance Lipscomb !!TOP!!
After that, Mance accepted the invitation to stay with me when he was performing in Southern California. These visits were most often when Mance had gigs at the Ash Grove, but also there were gigs at McCabes and perhaps also the Troubador. We performed together on a number of occasions at various venues, many times at the Ash Grove, and at one gig in the Avalon Ballroom in San Francisco during the days of hippies and flowers (maybe 1967).Janis Joplin with Big Brother and the Holding Company, and the Family Dog Lightshow were also on the bill. The audience of thousands sat on the floor as one and listened intently and quietly to our sets, giving rousing applause. It was something one could not forget. I recorded with Mance as "Guitar No. 2" for his Arhoolie Vol. 5 album in Berkeley on Baby, you don't have to go. That session was recorded in 1969 and was reissued in 2002 on CD by Arhoolie as Mance Lipscomb Texas Blues. The first group of pictures below were taken in the Summer of 1966 to my best recollection. Mance invited me to visit him in Navasota that summer; I was 20 years old. I was accompanied by my friend, Eddie Iwaki, who took the first group of pictures below. Eddie and I recorded a number of interviews with Mance.Mance and I performed at a local "juke" joint in Navasota, where the audience was VERY enthusiastic. It was my most enjoyable performance with Mance. In the picture above, we are posing on Mance's porch for the picture. Navasota, 1966In the above picture, Mance is playing my guitar in his bedroom. The above picture shows my slouch as we interviewed Mance in his living room.Also in his living room, Mance asked me to play some music from "Sing Out", a folk song magazine of that era. I forget now what the song was, but I recall that it was something in a style completely different from Texas Blues--perhaps it was an English ballad. As I recall, Mance had heard another folk singer do the song and he wanted to learn that "purdy" song.This picture was probably taken sometime between 1970 and 1972. I believe that this shows us performing at the Ash Grove, and the picture was probably taken by Dan Rose, husband of Barbara Rose, who was a student with me at UCLA.I think that the above picture shows the last time that Mance and I performed together on stage. It was probably in 1974.I had moved from Los Angeles to Encinitas for my Postdoctoral studies at UCSD (72-73), then to Kansas State University (73-74), then to University of Illinois (74-88). My memory is that I was back in LA on a visit, Mance was to perform at McCabe's in Santa Monica, and he invited me to join him on the stage. In this picture, we can see Mance's new guitar that he played in the last years of his life.I received a letter from Glen Alyn (then Glenn Meyers) relating Mance's illness and death in 1976. About 20 years later, Glen's book on Mance, "I say me for a parable", was published. I traced Glen through the WWW, which was then still fairly new, I arranged a gig for Glen here at CSUF in 1996, and Glen and I finally met. It was like meeting an old friend--we had so much to talk about and it was like Mance had never left us. Sadly, Glen was killed in a tragic accident a few years later.It is too bad that this picture was not in better focus. I don't recall who took it.In this Letter, date 2-3-71, Mance writes (punctuation added by MHB): Dear Mike: I Rec your letter. I am always Proud to hear from you and Bonie, your wife, and to no you all are ok. Mike, that was a nice Palm (poem) you wrote in the letter.And about the book the girl is writting about me, when I see her again I will tell her what you said. (MHB: I wish I could remember what I said) She goes to austin Texas school at the univeristy. I will you no when I see her again.Mike, they are making a film of me trying to sell the film to Holywood. Les Blanks is the mans name is making the Pitcue on me. (MHB: Many years later I found that this film had indeed been made with the title, "A Well-spent Life (1971)." The movie was made by Les Blank.Mike, the song me and you are Playing together on the No. 5 Record--People Loves it.They Say you is Raily Backin me up the Song O-Babie you dont Hafter go. Mike, I am Still going Places to Play.Give my Best Regard to all your mother & dad, also to Bonies Parents. My Wife sent Helo to you & to Bonie as you all Has Ben So nice to me.I am Sending you Both, Regard,Yours Mance LipscombThe above envelope reminds me that my wife and I lived in a garage converted to an apartment from about 1968 to 1972. There was a kitchenette and a living room-bedroom, a small hallway with a narrow bed that we called "purgatory", where Mance slept when he stayed with us, and a bathroom. Before that (maybe 66-67), I had lived in a room near an oil well that made noises all night. Mance and I slept on mattresses on the floor. Mance and I joked that it sounded like they were trying to pull the oil up with a chain. Previous to that, Mance stayed with us at least once in my parents' house. I recall that we were at my parents' house when he told me of the passing of John Hurt--that was perhaps November, 1966. We were either staying then with my parents or we were there for dinner.In a letter dated 2-13-67, Mance writes (punctuation added by MHB): Navasota Texas. Dear Mike: I Rec your letter and the Song you Sent me,thanks. I am always Proud to here from you, and your Parents, also to here from Bonnie as she is Such a Sweet girl.I wish you and Bonnie all the Happy Hours together. I Ben Playing Verry often at Home. I am Booked in Kansas April the 28th29th with Dock Watson and others. I hope you all injoyed Sony and Brownie McGee, they are Both Wonderful and are my friends.Give your Parents my Best Regard and to Bonie I Hope You are Well of the flue. My Family Sent helo to you. helo to Bob Baxter and to all my Fans. Helo to Eddie. I Hope to see you all Some time again.Yours Friend,Mance Lipscomb.In this Autobiography, written on a ditto master (about 1967),and intended for my guitar students, Mance writes (punctuation added by MHB): I begin to Play a guitar when was the ageof 14 for Scool Programs and contry Dances and Partyies. I Lerned Songsby Hearing them by ear. My father Played Vionlin. I would Play guitar music Because I Liked it. I Has Played guitar over 59 years. I was Descoverd in 1961. I Has Ben in --- 12 Stetes. I lever lift Navasota until I Was call to the Berkely folk festial in 1961. I was Born on April, 1895. I was Raised on a farm. at the age of a 11, I Had to do a mans Work to Support my family. I Had a Hard Life. I Has did all Sort of Hard Work, and musik Has made my Life Better. I Still Love to Play my music. I Hope you Studens Will learn my music. Above is my favorite picture of Mance, and perhaps his as well. He gave it to me, I think, in 1965 or 1966. I don't know who took it. Follow this link to my pages on the Navasota Bluesfest, which honors Mance LipscombRelated LinksThe picture below shows Mance Lipscomb's grave marker in Navasota, Texas. The picture inset on the gravestone was apparently taken from the picture of Mance and Me playing at the Ash Grove (color picture above). Directions to Mance Lipscomb Grave in Navasota, TexasHere are a few additional photographs of Mance Lipscomb and Michael BirnbaumHere is a link to high resolution files of these pictures You can find videos of Mance Lipscomb at YouTube.
Born into a musical family in 1895 near Navasota, the son of an ex-slave and a half Choctaw Indian mother, Lipscomb spent much of his life as a tenant farmer in his home state of Texas. Both of Lipscomb's brothers were guitarists, his dad played fiddle and his uncle banjo. By age 11, Mance himself began playing guitar. Before long he was accompanying his father at local events and dances. Unlike many of his contemporaries, Lipscomb did not record during the early blues era, but he had direct exposure to early Texas recording artists such as Blind Lemon Jefferson and Blind Willie Johnson, as well as the groundbreaking country star Jimmie Rogers. Although a traveling performer invited Lipscomb to go on the road in 1922, he declined the invitation and until the blues revival of the late 1950s and early 1960s, rarely left home and most of his live performances were at local functions. Remaining married to his wife Elnora throughout his life, with whom he raised a son and three adopted children, Lipscomb led a responsible hard-working life and did not fit the blues musician stereotype of the roving gambler or hard drinking musician.
Thanks for posting this video, Shane. I discovered this video, and so many other early Bluesmen on film on YouTube. These are the tunes I listen to while I build my gits.I like the inspiration, and my grandson's get exposed to music they wouldn't hear otherwise. So many old films, TV show performances, etc. available through the interwebs. The roots of all good blues and rock. I also tried the jackknife slide. I was also not very good. Spoiled by glass slides, I think.